“Blowing
in the Wind”
“The
land created me. I'm wild and lonesome. Even in the cities, I'm more
at home in the vacant lots.”
Bob
Dylan
My
friend, Charlie, informed me that Bob Dylan celebrated his 74th
birthday on May 24th. Hard to wrap my head around that.
He, in my opinion, is far and away the best poet of our time; good to
know he considers himself poet first, and musician second. He's
philosophical about life and death, saying that the world goes on
without us, with hardly a ripple on the surface. One could describe
him either as cynical or pragmatic. He says the world is ruled, not
by democracy, but by violence; that success is measured, not by how
much money you make, but by being able to do what you want to do. “It
doesn't take a weather man to know which way the wind blows,” is simply the best line ever. My favorite of his poem-songs is still,
“Lily, Rosemary and the Jack of Hearts;” so complex and
interesting, it is practically a book in itself.
Isn't
it heartening to know, from time-to-time, a soul comes along who can
move our hearts toward something deeper? Whose words speak such
stark truth, set to music, that we know the rightness of them in our
bones, and not just in our ears. Dylan has done that for five
decades. He has changed the shape of our lives with his words.
“How
many roads must a man walk down,
before
you call him a man?
How
many seas must a white dove sail
before
she sleeps in the sand?
Yes,
and how many times must the cannon balls fly,
before
they're forever banned?
The
answer, my friend, is blowing in the wind.
The
answer is blowing in the wind.”
In
the Spirit,
Jane
1 comment:
Great post, Jane! To me, one of the most evocative of his songs is "I and I" from the album, Infidels. It is a treasure to those of us with Jungian interests. Here is the chorus followed by one verse from the middle of the piece which to me is superbly rich in its imagery:
I and I
In creation where one’s nature neither honors nor forgives
I and I
One says to the other, no man sees my face and lives
Outside of two men on a train platform there’s nobody in sight
They’re waiting for spring to come, smoking down the track
The world could come to an end tonight, but that’s all right
She should still be there sleepin’ when I get back
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